I have tried to limit the number of questions to 20 in order to avoid repetition, and make them clear and concise. They refer to the curatorial process carried out when arranging the show on display in the gallery and other aspects such as framing, lighting and challenges set by this task.
The set of questions was the following:
1. What is the
theme of the current show on display in the Burton Gallery?
2. By what
criteria were the images selected to be part of the exhibition?
3. With regards
to space, was it a difficult task finding a place for each photograph, whilst
making sure the amount of visual information is not exceeded?
4. How did you
choose the final images on display? Did you look for an element of consistency
which inter-relates them?
5. Showcasing
both color and black and white pieces of work can be challenging. How did you
decide which image goes where, without affecting the overall flow of the show?
6. What was the
starting point for the curatorial process and how long did it take to complete?
Is time
management essential?
7. How do you
ensure that each artist’s voice is heard, without being influenced by the work
located next to it?
8. Regarding print sizes, why did you choose A3
as the best option? Is that due to reduced amount of space dedicated to each
image or does it make the work stronger?
9. Could you please explain why black wooden
frames were used?
10. How is the
viewer affected by wall color when looking at images? Is there a reason for
choosing white background?
11. Another key
element when it comes to exhibitions is lighting. How was that matter
approached and dealt with?
12. How did you
manage to combine text, used to explain about the gallery, and imagery in the
show? What influenced your decision of
placing the text in that certain area?
13. From your
point of view, what creates the consistency of an exhibition? Is it only the
message transmitted by the prints, or is there something else?
14. How did you
determine the height of the images of each flat? Why didn’t you choose to
position them higher or lower?
15. What was the
main objective of the show? Did you manage to achieve it?
16. Were there
any concerns or specific considerations which required attention? Were they
successfully resolved?
17. Did you
always have a back-up plan if anything went wrong? Was the element of stress present throughout
the development process?
18. How important
is being able to work under pressure when thinking about curating an
exhibition?
19. Was there
anything you wish you had done differently? How would have that affected the
final outcome?
20. How would you
describe the curatorial process in one word or phrase?
I would like to thank Karen Shepherdson for agreeing to take part in the project. She has given some excellent answers which shall be very useful for my research and when comparing them to other responses received in the future.
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